The Bristol Ensemble unveils its new baroque specialist ensemble for the first time, under the directorship of Adrian Chandler, in a concert at St George’s Bristol on 13th November.
Adrian is one of the leading interpreters of Italian baroque music and founded the renowned ensemble La Serenissima. He takes over the leadership of Bristol Ensemble Baroque in what will be a vibrant, energetic and thoroughly engaging performance exploring some well-known and less familiar composers of the Baroque period.
Of course, Bristol Ensemble has always featured baroque works in its programmes, but this concert will be performed on period instruments by baroque specialists, creating a more authentically 18th-century sound which reveals these works in a new light. Baroque instruments are generally quieter than their modern counterparts, and there are subtle differences in the design and materials. Baroque violins, for example, use gut strings rather than metal, which give a more mellow sound. Baroque wind instruments have fewer (if any) keys, with fingers used to cover the holes. Baroque pitch is about a semitone lower than modern pitch, and techniques such as vibrato, commonly used by modern singers and string players, rarely appear in authentic baroque music.
The launch of Bristol Ensemble Baroque is partly due to the fact that there are now so many fine baroque players in the Bristol area. Hopefully it will become a regular part of our concert schedule in future.
Listen to Adrian Chandler playing Autumn from Vivaldi’s Four Seasons with La Serenissima
Emma Johnson and John Lenehan performed The Pied Piper by Jonathan Dove at St George’s Bristol, ably assisted by recorder-playing rats from Oasis Long Cross School.
Long Cross is one of the schools participating in the Preludes project. The children were very excited and overwhelmed to be performing with such prestigious musicians.
The parents who came along were incredibly proud of their children, and were introduced to classical music concerts in a concert hall for the first time.